Las Reproducciones del Oleo de Europa España no Mínimo

 
 

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REYMERSWALE, Marinus van

Flemish Northern Renaissance Painter, ca.1490-1567

Pintura Identificación::  8891
St Jerome
St Jerome
1541 Oil on panels, 78 x 107 cm Koninklijk Museum voor Schone Kunsten, Antwerp
1541 óleo en Panels, 78 x 107 cm Koninklijk Museo voor Schone Kunsten, Antwerp
Flemish Northern Renaissance Painter, ca.1490-1567

   
 

 

 
   
      

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BOSCH, Hieronymus

Netherlandish Northern Renaissance Painter, ca.1450-1516

Pintura Identificación::  33440
St Jerome
San Jerome
mk86 c.1500 Oil on wood 77x59cm Ghent,Musee des Beaux-Arts
mk86 C. 1500 Petróleo en la madera 77x59cm Gante, las Beaux-Artes de Musee D
Netherlandish Northern Renaissance Painter, ca.1450-1516

   
 

 

 
   
      

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Caravaggio

Italian Baroque Era Painter, ca.1571-1610

Pintura Identificación::  43836
St Jerome
c. 1606 Oil on canvas, 112 x 157 cm
Italian Baroque Era Painter, ca.1571-1610

   
 

 

 
   
      

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Georges de La Tour

1593-1652 French Georges de La Tour Galleries

Pintura Identificación::  59547
St Jerome
St Jerome (Hurdy-gurdy group)
1593-1652 French Georges de La Tour Galleries

   
 

 

 
   
      

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Georges de La Tour

1593-1652 French Georges de La Tour Galleries

Pintura Identificación::  59548
St Jerome
St Jerome (Hurdy-gurdy group)
1593-1652 French Georges de La Tour Galleries

   
 

 

 
   
      

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GHIRLANDAIO, Domenico

Italian Early Renaissance Painter, 1449-1494

Pintura Identificación::  63002
St Jerome
1471 Fresco Parish Church of Sant'Andrea, Cercina St Jerome, wearing a torn penitential robe, is looking across at St Barbara. His wiry, semi-naked body seems to have been ravaged by the hardships of his hermit life. In his right hand he is holding a stone with which to beat himself. His stance is reminiscent of classical contrapposto, his right foot protruding out of the space of the niche across the painted cornice. Artist: GHIRLANDAIO, Domenico Painting Title: St Jerome , 1451-1500 Painting Style: Italian , , religious
Italian Early Renaissance Painter, 1449-1494

   
 

 

 
   
      

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BAROCCI, Federico Fiori

Italian Baroque Era/Mannerist Painter, ca.1535-1612

Pintura Identificación::  63843
St Jerome
1598 Oil on canvas Galleria Borghese, Rome In this painting, recent restoration has revealed a lion, sleeping like a large cat in the background; it had been hidden under thick layers of paint that had darkened with age.Artist:BAROCCI, Federico Fiori Title: St Jerome Painted in 1551-1600 , Italian - - painting : religious
Italian Baroque Era/Mannerist Painter, ca.1535-1612

   
 

 

 
   
      


Pintura Identificación::  79618
St Jerome
1630s Medium Oil on canvas cyf

   
 

 

 
   
      

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Jose de Ribera

Spanish Painter and Print engraver , 1591-1652

Pintura Identificación::  81496
St Jerome
Date 1646(1646) Medium Oil on canvas Dimensions 146 x 198 cm (57.5 x 78 in) cjr
Spanish Painter and Print engraver , 1591-1652

   
 

 

 
   
      


Pintura Identificación::  82882
St Jerome
Date ca. 1550(1550) Medium Oil on canvas Dimensions 75 x 51 cm (29.5 x 20.1 in) cjr
1518-1594

   
 

 

 
   
      


Pintura Identificación::  85029
St Jerome
Date first half of 16th century Medium Oil on oak panel cjr

   
 

 

 
   
      

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Jose de Ribera

Spanish Painter and Print engraver , 1591-1652

Pintura Identificación::  85502
St Jerome
1646(1646) Medium Oil on canvas Dimensions 146 x 198 cm (57.5 x 78 in) cyf
Spanish Painter and Print engraver , 1591-1652

   
 

 

 
   
      

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Jan van Hemessen

(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.

Pintura Identificación::  86652
St Jerome
Date 1548(1548) Medium Oil on oak panel Dimensions Height: 85 cm (33.5 in). Width: 69 cm (27.2 in). cjr
(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.

   
 

 

 
   
      

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Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations

Pintura Identificación::  88177
St Jerome
1442(1442) Medium Oil on parchment on oak panel Dimensions Height: 20 cm (7.9 in). Width: 12.5 cm (4.9 in). cjr
1395-1441 Flemish Jan Van Eyck Locations

   
 

 

 
   
      


Pintura Identificación::  88793
St Jerome
first half of 16th century Medium Oil on oak panel cyf

   
 

 

 
   
      

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Jan van Hemessen

(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.

Pintura Identificación::  90603
St Jerome
1548(1548) Medium oil on oak panel Dimensions Height: 85 cm (33.5 in). Width: 69 cm (27.2 in). cyf
(c. 1500 - c. 1566) was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen,he specialised in painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter who was part of the mannerist movement. He was born in Hemessen in the Netherlands but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are often religious, while his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon of 1555 is an oil painting by Jan Sanders Van Hemessen currently in the Museo del Prado in Madrid, Spain. The scene likely represents a stonecutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill. Next to the quack stands a man who is wringing his hands in desperation, clearly going to be the next patient under the scalpel.

   
 

 

 
   
      

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Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations

Pintura Identificación::  91536
St Jerome
1442(1442) Medium Oil on parchment on oak panel cyf
1395-1441 Flemish Jan Van Eyck Locations

   
 

 

 
   
      

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Juan de Valdes Leal

Seville 1622-1690

Pintura Identificación::  95710
St Jerome
between 1656(1656) and 1657(1657) Medium oil on canvas cyf
Seville 1622-1690

   
 

 

 
   
      

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Jacopo Bassano

Italian c1510-1592 Jacopo Bassano Gallery

Pintura Identificación::  95749
St Jerome
1556(1556) Medium oil on canvas cyf
Italian c1510-1592 Jacopo Bassano Gallery

   
 

 

 
   
      

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Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations

Pintura Identificación::  96981
St Jerome
Oil on canvas Dimensions 215 x 195 cm cyf
Dutch 1599-1641 Anthony Van Dyck Locations

   
 

 

 
   
      

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Filippino Lippi

Italian 1457-1504 Filippino Lippi Galleries

Pintura Identificación::  97970
St Jerome
1490s Medium oil on panel cyf
Italian 1457-1504 Filippino Lippi Galleries

   
 

 

 
   
      

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Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations

Pintura Identificación::  97982
St Jerome
1442(1442) Medium Oil on parchment on oak panel cyf
1395-1441 Flemish Jan Van Eyck Locations

   
 

 

 
   
      

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Hendrick van Somer

Hendrick van Someren, or Somer (1615, Amsterdam - 1685, Amsterdam), was a Dutch Golden Age painter. According to Houbraken he was the son of the "van Zomeren" who took in the young Adriaen Brouwer after he fled Frans Hals' workshop to try his luck in Amsterdam. Houbraken claimed Henrik van Someren was a good painter of historical allegories, landscapes, and flower still lifes. According to the RKD no works survive in the styles Houbraken mentioned, only "hermits" in the style of Ribera. He was the son of the painter Barend van Someren and the grandson of Aert Mijtens. He was the pupil of Jusepe de Ribera and at least one of his works had a forged signature of Ribera.He is possibly the same painter sometimes referred to as Enrico Fiammingo.

Pintura Identificación::  98404
St Jerome
second half of 17th century Medium oil on canvas Dimensions Height: 98 cm (38.6 in). Width: 79 cm (31.1 in).
Hendrick van Someren, or Somer (1615, Amsterdam - 1685, Amsterdam), was a Dutch Golden Age painter. According to Houbraken he was the son of the "van Zomeren" who took in the young Adriaen Brouwer after he fled Frans Hals' workshop to try his luck in Amsterdam. Houbraken claimed Henrik van Someren was a good painter of historical allegories, landscapes, and flower still lifes. According to the RKD no works survive in the styles Houbraken mentioned, only "hermits" in the style of Ribera. He was the son of the painter Barend van Someren and the grandson of Aert Mijtens. He was the pupil of Jusepe de Ribera and at least one of his works had a forged signature of Ribera.He is possibly the same painter sometimes referred to as Enrico Fiammingo.

   
 

 

 
   
      

Hendrick van Somer
Hendrick van Someren, or Somer (1615, Amsterdam - 1685, Amsterdam), was a Dutch Golden Age painter. According to Houbraken he was the son of the "van Zomeren" who took in the young Adriaen Brouwer after he fled Frans Hals' workshop to try his luck in Amsterdam. Houbraken claimed Henrik van Someren was a good painter of historical allegories, landscapes, and flower still lifes. According to the RKD no works survive in the styles Houbraken mentioned, only "hermits" in the style of Ribera. He was the son of the painter Barend van Someren and the grandson of Aert Mijtens. He was the pupil of Jusepe de Ribera and at least one of his works had a forged signature of Ribera.He is possibly the same painter sometimes referred to as Enrico Fiammingo.
St Jerome

        
 
   
 

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